歡迎來到裝配圖網(wǎng)! | 幫助中心 裝配圖網(wǎng)zhuangpeitu.com!
裝配圖網(wǎng)
ImageVerifierCode 換一換
首頁 裝配圖網(wǎng) > 資源分類 > DOCX文檔下載  

2023年考研英語考試考前沖刺卷(4)

  • 資源ID:187301440       資源大小:28.56KB        全文頁數(shù):124頁
  • 資源格式: DOCX        下載積分:15積分
快捷下載 游客一鍵下載
會(huì)員登錄下載
微信登錄下載
三方登錄下載: 支付寶登錄   QQ登錄   微博登錄  
二維碼
微信掃一掃登錄
下載資源需要15積分
郵箱/手機(jī):
溫馨提示:
用戶名和密碼都是您填寫的郵箱或者手機(jī)號(hào),方便查詢和重復(fù)下載(系統(tǒng)自動(dòng)生成)
支付方式: 微信支付   
驗(yàn)證碼:   換一換

 
賬號(hào):
密碼:
驗(yàn)證碼:   換一換
  忘記密碼?
    
友情提示
2、PDF文件下載后,可能會(huì)被瀏覽器默認(rèn)打開,此種情況可以點(diǎn)擊瀏覽器菜單,保存網(wǎng)頁到桌面,就可以正常下載了。
3、本站不支持迅雷下載,請(qǐng)使用電腦自帶的IE瀏覽器,或者360瀏覽器、谷歌瀏覽器下載即可。
4、本站資源下載后的文檔和圖紙-無水印,預(yù)覽文檔經(jīng)過壓縮,下載后原文更清晰。
5、試題試卷類文檔,如果標(biāo)題沒有明確說明有答案則都視為沒有答案,請(qǐng)知曉。

2023年考研英語考試考前沖刺卷(4)

2023年考研英語考試考前沖刺卷(4) 本卷共分為1大題50小題,作答時(shí)間為180分鐘,總分100分,60分及格。 一、單項(xiàng)選擇題(共50題,每題2分。每題的備選項(xiàng)中,只有一個(gè)最符合題意) 1.Text 2 Of all the varieties of music which fill our concert halls, theaters, and nightclubs, only jazz is native ’American music. Symphonies and concertos, the ancestors of movie and television scores as well as of ’serious’ or ’legitimate’ electronic music, were first composed in Germany. Musical comedies descended from opera, which was first performed in Italy. And our ever- popular nightclub singers are the musical heirs of the French singers of chansons. The one form of music which did not originate in Europe and which is popular today worldwide is jazz. Jazz was born in New Orleans, the child of the Blacks. It drew on the rhythms as well as the emotionalism of the African music of the’ Black ancestors, which had been transformed into ragtime and the blues. Improvisation was an indispensable element. Musicians were permitted, in solo performance, plenty of freedom to play in whatever variations just as their creative mood happened to lead them’ along. But during the Swing era ( 1930s -- 1950s ), impromptu renditions gave way to arrangement. It was a period when jazz had its widest popular appeal with the big bands that boasted of such outstanding bandleaders as Duke Ellington, Glenn Miller and a whole galaxy of top-notch instrumentalists. Rock music’ in the 1960s is a sociological expression rather than a musical force and the rock arena was seen as a sort of debating forum, a place where ideas clash and crash, where American youngsters struggle to define and redefine their feelings and beliefs. Bob Dylon touched a nerve of disaffection. He spoke of civil rights; nuclear fallout, and loneliness. He spoke of change and of the bewilderment of an older generation. ’Something’s happening here,’ he sang. ’You don’t know what it is, do you, Mr. Jones’ Others entered the debate. The Beatles urged peace and piety with humor and maybe a little of help from drugs. Feelings, always a part of any musical statement, were a major subject. Elvis Presley became the pop icon, maybe because he acted out your wildest fantasies, brought out your subdued id, embodied your frustrated teenage spirit, and encouraged your protest againsttraditional values. In this sense, rock is the music of teenage rebellion. All aspects of music -- its exciting offbeat, loudness, self-absorbed lyrics and raving delivery -- indicated a defiance of adult authority.According to the passage, rockdom in the sixties was seen as() A. a radical city B.a(chǎn) country element C. a forum for debate D. a collection of lyrics 2.Text 2 Of all the varieties of music which fill our concert halls, theaters, and nightclubs, only jazz is native ’American music. Symphonies and concertos, the ancestors of movie and television scores as well as of ’serious’ or ’legitimate’ electronic music, were first composed in Germany. Musical comedies descended from opera, which was first performed in Italy. And our ever- popular nightclub singers are the musical heirs of the French singers of chansons. The one form of music which did not originate in Europe and which is popular today worldwide is jazz. Jazz was born in New Orleans, the child of the Blacks. It drew on the rhythms as well as the emotionalism of the African music of the’ Black ancestors, which had been transformed into ragtime and the blues. Improvisation was an indispensable element. Musicians were permitted, in solo performance, plenty of freedom to play in whatever variations just as their creative mood happened to lead them’ along. But during the Swing era ( 1930s -- 1950s ), impromptu renditions gave way to arrangement. It was a period when jazz had its widest popular appeal with the big bands that boasted of such outstanding bandleaders as Duke Ellington, Glenn Miller and a whole galaxy of top-notch instrumentalists. Rock music’ in the 1960s is a sociological expression rather than a musical force and the rock arena was seen as a sort of debating forum, a place where ideas clash and crash, where American youngsters struggle to define and redefine their feelings and beliefs. Bob Dylon touched a nerve of disaffection. He spoke of civil rights; nuclear fallout, and loneliness. He spoke of change and of the bewilderment of an older generation. ’Something’s happening here,’ he sang. ’You don’t know what it is, do you, Mr. Jones’ Others entered the debate. The Beatles urged peace and piety with humor and maybe a little of help from drugs. Feelings, always a part of any musical statement, were a major subject. Elvis Presley became the pop icon, maybe because he acted out your wildest fantasies, brought out your subdued id, embodied your frustrated teenage spirit, and encouraged your protest againsttraditional values. In this sense, rock is the music of teenage rebellion. All aspects of music -- its exciting offbeat, loudness, self-absorbed lyrics and raving delivery -- indicated a defiance of adult authority.The first sentence in Paragraph 3 can be best interpreted as() A.rock stars asking us to take our stand on political issues B.rock stars helping our society to form its code of ethics C.rock stars revealed their own problems and their social attitudes D.giving a clear definition to the words'.beliefs' and' feelings' 3.Text 2 Of all the varieties of music which fill our concert halls, theaters, and nightclubs, only jazz is native ’American music. Symphonies and concertos, the ancestors of movie and television scores as well as of ’serious’ or ’legitimate’ electronic music, were first composed in Germany. Musical comedies descended from opera, which was first performed in Italy. And our ever- popular nightclub singers are the musical heirs of the French singers of chansons. The one form of music which did not originate in Europe and which is popular today worldwide is jazz. Jazz was born in New Orleans, the child of the Blacks. It drew on the rhythms as well as the emotionalism of the African music of the’ Black ancestors, which had been transformed into ragtime and the blues. Improvisation was an indispensable element. Musicians were permitted, in solo performance, plenty of freedom to play in whatever variations just as their creative mood happened to lead them’ along. But during the Swing era ( 1930s -- 1950s ), impromptu renditions gave way to arrangement. It was a period when jazz had its widest popular appeal with the big bands that boasted of such outstanding bandleaders as Duke Ellington, Glenn Miller and a whole galaxy of top-notch instrumentalists. Rock music’ in the 1960s is a sociological expression rather than a musical force and the rock arena was seen as a sort of debating forum, a place where ideas clash and crash, where American youngsters struggle to define and redefine their feelings and beliefs. Bob Dylon touched a nerve of disaffection. He spoke of civil rights; nuclear fallout, and loneliness. He spoke of change and of the bewilderment of an older generation. ’Something’s happening here,’ he sang. ’You don’t know what it is, do you, Mr. Jones’ Others entered the debate. The Beatles urged peace and piety with humor and maybe a little of help from drugs. Feelings, always a part of any musical statement, were a major subject. Elvis Presley became the pop icon, maybe because he acted out your wildest fantasies, brought out your subdued id, embodied your frustrated teenage spirit, and encouraged your protest againsttraditional values. In this sense, rock is the music of teenage rebellion. All aspects of music -- its exciting offbeat, loudness, self-absorbed lyrics and raving delivery -- indicated a defiance of adult authority.According to the passage, improvisation was most popular() A.in the 1930s B.prior to 1930s C.a(chǎn)fter 1930s D.in the 1950s 4.Text 2 Of all the varieties of music which fill our concert halls, theaters, and nightclubs, only jazz is native ’American music. Symphonies and concertos, the ancestors of movie and television scores as well as of ’serious’ or ’legitimate’ electronic music, were first composed in Germany. Musical comedies descended from opera, which was first performed in Italy. And our ever- popular nightclub singers are the musical heirs of the French singers of chansons. The one form of music which did not originate in Europe and which is popular today worldwide is jazz. Jazz was born in New Orleans, the child of the Blacks. It drew on the rhythms as well as the emotionalism of the African music of the’ Black ancestors, which had been transformed into ragtime and the blues. Improvisation was an indispensable element. Musicians were permitted, in solo performance, plenty of freedom to play in whatever variations just as their creative mood happened to lead them’ along. But during the Swing era ( 1930s -- 1950s ), impromptu renditions gave way to arrangement. It was a period when jazz had its widest popular appeal with the big bands that boasted of such outstanding bandleaders as Duke Ellington, Glenn Miller and a whole galaxy of top-notch instrumentalists. Rock music’ in the 1960s is a sociological expression rather than a musical force and the rock arena was seen as a sort of debating forum, a place where ideas clash and crash, where American youngsters struggle to define and redefine their feelings and beliefs. Bob Dylon touched a nerve of disaffection. He spoke of civil rights; nuclear fallout, and loneliness. He spoke of change and of the bewilderment of an older generation. ’Something’s happening here,’ he sang. ’You don’t know what it is, do you, Mr. Jones’ Others entered the debate. The Beatles urged peace and piety with humor and maybe a little of help from drugs. Feelings, always a part of any musical statement, were a major subject. Elvis Presley became the pop icon, maybe because he acted out your wildest fantasies, brought out your subdued id, embodied your frustrated teenage spirit, and encouraged your protest againsttraditional values. In this sense, rock is the music of teenage rebellion. All aspects of music -- its exciting offbeat, loudness, self-absorbed lyrics and raving delivery -- indicated a defiance of adult authority.Which of the following is true() A.Ragtime originated with the big bands in the 1930s B.Ragtime and blues were based on African music C.Ragtime and blues had not evolved until 1950s D.Blues was performed by singers dressed in blue 5.Text 2 Of all the varieties of music which fill our concert halls, theaters, and nightclubs, only jazz is native ’American music. Symphonies and concertos, the ancestors of movie and television scores as well as of ’serious’ or ’legitimate’ electronic music, were first composed in Germany. Musical comedies descended from opera, which was first performed in Italy. And our ever- popular nightclub singers are the musical heirs of the French singers of chansons. The one form of music which did not originate in Europe and which is popular today worldwide is jazz. Jazz was born in New Orleans, the child of the Blacks. It drew on the rhythms as well as the emotionalism of the African music of the’ Black ancestors, which had been transformed into ragtime and the blues. Improvisation was an indispensable element. Musicians were permitted, in solo performance, plenty of freedom to play in whatever variations just as their creative mood happened to lead them’ along. But during the Swing era ( 1930s -- 1950s ), impromptu renditions gave way to arrangement. It was a period when jazz had its widest popular appeal with the big bands that boasted of such outstanding bandleaders as Duke Ellington, Glenn Miller and a whole galaxy of top-notch instrumentalists. Rock music’ in the 1960s is a sociological expression rather than a musical force and the rock arena was seen as a sort of debating forum, a place where ideas clash and crash, where American youngsters struggle to define and redefine their feelings and beliefs. Bob Dylon touched a nerve of disaffection. He spoke of civil rights; nuclear fallout, and loneliness. He spoke of change and of the bewilderment of an older generation. ’Something’s happening here,’ he sang. ’You don’t know what it is, do you, Mr. Jones’ Others entered the debate. The Beatles urged peace and piety with humor and maybe a little of help from drugs. Feelings, always a part of any musical statement, were a major subject. Elvis Presley became the pop icon, maybe because he acted out your wildest fantasies, brought out your subdued id, embodied your frustrated teenage spirit, and encouraged your protest againsttraditional values. In this sense, rock is the music of teenage rebellion. All aspects of music -- its exciting offbeat, loudness, self-absorbed lyrics and raving delivery -- indicated a defiance of adult authority.What is the best title of this passage() A.The origin of jazz B.The success of rock music C.The contemporary jazz and rock D.The musical development from jazz to rock 6.Text 3Most growing plants contain much more water than all other materials combined. C. R. Bames has suggested that it is .as proper to term the plant a water structure as to call a house composed mainly of brick a brick building. Certainly it is that all essential processes of plant growth and development occur in water. The mineral elements from the soil that are usable by the plant must be dissolved in the. soil solution before they can be taken into the root. They are carried to all parts of the growing plants and are built into essential plant materials while in a dissolved state.The carbon dioxide (CO2) from the air may enter the leaf as a gas but is dissolved in water in the leaf before it is combined with a part of the water to form simple sugars -- the base material from which the plant body is mainly built. Actively growing plant parts are generally 75 to 90 percent water. Structural parts of plants, such as woody stems no longer actively growing, mayhave much less water than growing tissues. The actual amount of water in the plant at any one time, however, is only a very small part of what passes through it during its development. The processes of photosynthesis, by which carbon dioxide and water are combined -- in the presence of chlorophyll ( 葉落素 ) and with energy derived from light to form sugars, require that carbon dioxide from the air enter the plant. This occurs mainly in the leaves. The leaf surface is not solid but contains great numbers of minute openings, through which the carbon dioxide enters. The same structure that permits the one gas to enter the leaf, however, permits another gas -- water vapor --to be lost from it. Since carbon dioxide is present in the air only in trace quantities (3 to 4 parts in 10,000 parts of air) and water vapor is near saturation in the air spaces within the leaf (at 80°F, saturated air would contain about 186 parts of water vapor in 10,000 parts of air), the total amount of water vapor lost is many times the carbon dioxide intake. Actually, because of wind and other factors, the loss of water in proportion to carbon dioxide intake may be even greater than the relative concentrations of the two gases. Also, not all of the carbon dioxide that enters the leaf is synthesized into carbohydrates.The second paragraph uses facts to develop the basic idea that() A.a(chǎn) plant efficiently utilizes most of the water it absorbs B.carbon dioxide is the essential substance needed for plant development C.a(chǎn) plant needs more water than is found in its composition D.the stronger the wind, the more the water vapor loss' 7.Text 3Most growing plants contain much more water than all other materials combined. C. R. Bames has suggested that it is .as proper to term the plant a water structure as to call a house composed mainly of brick a brick building. Certainly it is that all essential processes of plant growth and development occur in water. The mineral elements from the soil that are usable by the plant must be dissolved in the. soil solution before they can be taken into the root. They are carried to all parts of the growing plants and are built into essential plant materials while in a dissolved state.The carbon dioxide (CO2) from the air may enter the leaf as a gas but is dissolved in water in the leaf before it is combined with a part of the water to form simple sugars -- the base material from which the plant body is mainly built. Actively growing plant parts are generally 75 to 90 percent water. Structural parts of plants, such as woody stems no longer actively growing, mayhave much less water than growing tissues. The actual amount of water in the plant at any one time, however, is only a very small part of what passes through it during its development. The processes of photosynthesis, by which carbon dioxide and water are combined -- in the presence of chlorophyll ( 葉落素 ) and with energy derived from light to form sugars, require that carbon dioxide from the air enter the plant. This occurs mainly in the leaves. The leaf surface is not solid but contains great numbers of minute openings, through which the carbon dioxide enters. The same structure that permits the one gas to enter the leaf, however, permits another gas -- water vapor --to be lost from it. Since carbon dioxide is present in the air only in trace quantities (3 to 4 parts in 10,000 parts of air) and water vapor is near saturation in the air spaces within the leaf (at 80°F, saturated air would contain about 186 parts of water vapor in 10,000 parts of air), the total amount of water vapor lost is many times the carbon dioxide intake. Actually, because of wind and other factors, the loss of water in proportion to carbon dioxide intake may be even greater than the relative concentrations of the two gases. Also, not all of the carbon dioxide that enters the leaf is synthesized into carbohydrates.The primary idea of the passage is() A.the functions of carbon dioxide and water B.the role of water in a growing plant C.the process of simple sugar formation D.the synthesis of water with carbon dioxide 8.Text 3Most growing plants contain much more water than all other materials combined. C. R. Bames has suggested that it is .as proper to term the plant a water structure as to call a house composed mainly of brick a brick building. Certainly it is that all essential processes of plant growth and development occur in water. The mineral elements from the soil that are usable by the plant must be dissolved in the. soil solution before they can be taken into the root. They are carried to all parts of the growing plants and are built into essential plant materials while in a dissolved state.The carbon dioxide (CO2) from the air may enter the leaf as a gas but is dissolved in water in the leaf before it is combined with a part of the water to form simple sugars -- the base material from which the plant body is mainly built. Actively growing plant parts are generally 75 to 90 percent water. Structural parts of plants, such as woody stems no longer actively growing, mayhave much less water than growing tissues. The actual amount of water in the plant at any one time, however, is only a very small part of what passes through it during its development. The processes of photosynthesis, by which carbon dioxide and water are combined -- in the presence of chlorophyll ( 葉落素 ) and with energy derived from light to form sugars, require that carbon dioxide from the air enter the plant. This occurs mainly in the leaves. The leaf surface is not soli

注意事項(xiàng)

本文(2023年考研英語考試考前沖刺卷(4))為本站會(huì)員(h****7)主動(dòng)上傳,裝配圖網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)上載內(nèi)容本身不做任何修改或編輯。 若此文所含內(nèi)容侵犯了您的版權(quán)或隱私,請(qǐng)立即通知裝配圖網(wǎng)(點(diǎn)擊聯(lián)系客服),我們立即給予刪除!

溫馨提示:如果因?yàn)榫W(wǎng)速或其他原因下載失敗請(qǐng)重新下載,重復(fù)下載不扣分。




關(guān)于我們 - 網(wǎng)站聲明 - 網(wǎng)站地圖 - 資源地圖 - 友情鏈接 - 網(wǎng)站客服 - 聯(lián)系我們

copyright@ 2023-2025  sobing.com 裝配圖網(wǎng)版權(quán)所有   聯(lián)系電話:18123376007

備案號(hào):ICP2024067431號(hào)-1 川公網(wǎng)安備51140202000466號(hào)


本站為文檔C2C交易模式,即用戶上傳的文檔直接被用戶下載,本站只是中間服務(wù)平臺(tái),本站所有文檔下載所得的收益歸上傳人(含作者)所有。裝配圖網(wǎng)僅提供信息存儲(chǔ)空間,僅對(duì)用戶上傳內(nèi)容的表現(xiàn)方式做保護(hù)處理,對(duì)上載內(nèi)容本身不做任何修改或編輯。若文檔所含內(nèi)容侵犯了您的版權(quán)或隱私,請(qǐng)立即通知裝配圖網(wǎng),我們立即給予刪除!